by Javier Mariscal
设计师Javier Mariscal
这个地毯上的图案来源是1987年Mariscal所作的水彩画。设计师把这幅画的基础线条转换到波斯地毯上。以这个概念为直接出发点，设计师不断地发展以独特图案来唤起对卡通以及东方和西方回忆的设计。在同一个产品中体现手工艺和现代设计。
设计师Javier Mariscal以“创意无界限”为设计理念，用他的敏感度贯穿许多不同的准则、艺术以及其他方面。
The original sketch for this rug was a watercolour painted by Mariscal in 1987. The design transmits the basic outline of the classic Persian rug. Using this concept as a starting point, the design is updated using unique patterns reminiscent of comics, synthesizing East and West, placing traditional craftsmanship and contemporary design in one product.
Javier Mariscal，marked by his “creative incontinence”, Mariscal has been expressing his sensibilities through a variety of disciplines, artistic or otherwise.
Black on white :Estambul
Black on white Limbo
by Xano Armenter
出于对回忆的敬意，Armenter以世界性的坛场为基础设计他的地毯。特色是以楼梯形或者螺旋朝向中间，图案是受到蛇梯棋的启发，这是一个依靠运气的游戏。Xano Armenter出生于Catalan 的Las Palmas家庭，他在巴塞罗那学习平面设计和艺术。设计师追寻Catalan主义、地域概念论和流行灵感。
Acting as homage to his memories, Armenter based his rug design on a cosmopolitan mandala. Featuring a staircase or a spiral towards the centre, the pattern is inspired by Snakes and Ladders, a game wher everything depends on chance.
Born in Las Palmas in a Catalan family, Xano Armenter studied graphic design and art at the Escola Eina in Barcelona. The artist looks to Catalan informalism, emergent local conceptualism and pop for inspiration.
设计师 Xano Armenter
Black on white Manuscrit
by Joaquim Ruiz Millet
设计师Joaquim Ruiz Millet
1991年，Joaquim Ruiz Millet开始写作一本小说，打算于十年后完成。在这十年的酝酿期之间，一页未出版的手稿产生了一些周边产品，比如Manuscrit地毯，通过纺织将这个作品从手上传递到脚下。设计师Joaquim Ruiz Millet是一个建筑师，与Ana Planella 创立了Galeria H2O。同时也是作家和编辑，出版了一些著作。
In 1991, Joaquim Ruiz Millet began to write a novel that he would finish 10 years later. During this 10-year gestation period, a page of the unpublished manuscript gave birth to a series of objects, such as this rug, with spindly characters that transmutes the work from hands to the feet. Joaquim Ruiz Millet is an architect, founder with Ana Planella of the Galeria H2O (1989), editor and writer, he has published the monograph Barba Corsini, Arquitectura/Architecture (1995).
BW LIMBO 和 Black on white Manuscrit
Collage 1966
by Eduardo Chillida
设计师Eduardo Chillida
“艺术与未完成和未创作有关，这是一些外在的东西，在未来可以追寻的东西。” Eduardo Chillida说道。Eduardo Chillida的艺术品代表了20世纪末期最高的艺术成就之一。为了向艺术家致敬，Chillida系列依照年代顺序选取一些作品作为参照，Figura Humana - 1948, Dibujo Tinta - 1957, 和 Collage – 1966，这些作品反映了他的著名雕塑Peine del Viento的酝酿过程。这个系列还包括两个手的速写作品。
Chillida的艺术风格被完全地传递到这个地毯上，用不同的技术和材料手工制成，表现不同的纹理，真实展现他作品的精髓。
“Art is linked to what hasn’t been done yet, to what has not been created yet. It is something outside of you, in the future, something to search for.” Eduardo Chillida
The artwork of Eduardo Chillida (1924-2002) represents one of the greatest artistic accomplishments of the late 20th century.To pay homage to the artist, the Chillida collection was created based on a chronological selecion of his work: Figura Humana - 1948, Dibujo Tinta - 1957, and Collage - 1966, pieces that reflect the gestation process of his renown sculpture: Peine del Viento located in San Sebastián. The collection also includes two depictions of his famous hands: Mano and Manos from the ‘90s, and Gravitación from 1993 and 1994.
Chillida’s artistic nuances have been faithfully translated into rugs, all handmade using various techniques and fibres, such as wool, silk, and hand-spun mohair, to create different textures, showcasing the essence of his work.
Collage 1966
